REGINALD MARSH
Reginald Marsh, renowned for his Depression-era portrayals of New York City life,
was born in Paris to American parents, in 1898. He was raised in Nutley, New Jersey.
His artistic career began during his student days at Yale, when he served as the
editor and cartoonist for the Yale Record. After graduating in 1920, he spent several
years working as an illustrator for various New York based periodicals, including
the Daily News, Vanity Fair and the New Yorker. In 1925 he traveled to Europe to
study. His life long ambition was to render contemporary life in the style of the
Old Masters.
Returning from Europe in 1926, Marsh enrolled in classes at the Art Students'
League in New York. His instructors included two of the first generation Ashcan School
painters, John Sloan and George Luks, whose urban iconography came to exert an important
influence on his art. Following this, Marsh went on to paint murals for the Post
Office Building in Washington, D.C. and for the New York Customs House. However,
he spent most of his time producing paintings, etchings, lithographs and drawings
of such city themes as subways, burlesque halls, Bowery bums, amusement parks and
leggy girls on 14th Street. Many of his pictures, executed in watercolor and egg
tempera or brush and ink, consist of phantasmagoric views of crowds of people taking
part in rowdy yet exuberant social rituals. His vigorous, baroque style in which
he emphasized physical action and strongly modeled forms, is firmly rooted in the
tradition of such masters as Peter Paul Rubens and Eugene Delacroix. Although his
subjects often relate to those of the social realists of the day, Marsh chose to
remain aloof from all political entanglement, making his ideas known only through
his art.
Marsh taught at the Art Students' League from 1935 until his death in 1954
in Dorset, Vermont. His work, widely acclaimed during his lifetime, can be found
in major public and private collections throughout the United States, including the
Museum of Modern Art, the Whitney Museum of American Art and the Art Institute of
Chicago.
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